events and preventative measures

giving up on the separation of church and the state of poetry for reading 2 at iona. the improvement is marked, is marked by attention to tension of language gender mark the most modern of punctuation. like a sandwich (better bread than filling) the edges stood out, drawing and re themselves a side. in middle in middle middling, another of the stable of Black Moss, another proof that no moss grows on the rolling, but black to static sticks resolute and smothers, but at least they're collected, at least contained.

lindsay mcniff begins with incontinent horror-bred humour, a story of proportions and the loss thereof. woman and time, and city with addiction. mix well and shake. a collapse and failure, seeming finish. but none, but not. instead a threatened continuance a maybe cycle and the death of. we rapt aghast agrin.

and other bread multigrain susan holbrook flecked with seeds as comedy becomes so sharp as to wound and the child sentimental becomes awake with no more easy no more miracle language grey and cobwebbed. ridicule the assigned rituals and re turn the word narrative now narrative recall and love narrative, the told and the telling.

no middle needs speaking.

(also other clutter because the self is sometimes concerned)

a happened gift

in print and picture, sign and symbol. in media here. we have a chance to take. commit to pixel thought and word. this is the dreamix. you are the dj. at present there is the damaged black of the carved and inked, a bleeding of field and absence that instantiates. here the chromosomal silence, here the levels of composition, the imposed upon and the textual field. question repeated becoming threat and its own evidence.

turn choir.